 here are basic elements that feature in my paintings:Power, Passion and Movement.
I feel a union of abstraction and formalism suits the objectives of my work.Which is to look to the physical as means to improving the human condition.The weakness and decadence of the modern age is very dis_spiriting,I find.Without a harder core, a personal discipline how can the advantages of civilisation be addressed?Learning.culture,refinement.My physical experiences are the starting point for my expression of this philosophy.
There are many things I like about .both relation to life and art.Having lived so long in another country I find it fascination to wonder at why people are as they are .Any "artist's statement' can only give the briefest to thumbnail indications of what its all about,for I don't really know.The ideas that behind my images come from a range of influences,philosophers:Voltarire.Shaw,Nietzsche: artists like,Nolan,Kandinsky.Pollock,Turner,Marc,Szenassy,plus ever increasing and too numerous to mention group of others. |
| Education & Training |
1984-1985
1985-1988 |
Middlesex University:Art &design Foudation course.
The West Of England University:BA (Hons)Fine art.
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| Recent Exhibitions |
| 1995 |
Space Edge Shibuya'Art Expo' event
Metropolitan Art Museum Ueno The Japan International Artist Club Summer Exhibition
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| 1997 |
Metropolitan Art Museum Ueno The Japan International Artist Club Summer Exhibition
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| 1998 |
Metropolitan Art Museum Ueno The Japan International Artist Club Summer Exhibition
Oraration Raleigh Review London Groupe Show
UK festival, Shinjyuku Event
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| 1999 |
Heavens Door,Shimokitazawa'Dynamics in the city' |
| 2000 |
'Nigiro' Kichijyouji Untitled |
| 2001 |
'Nigiro' Kichijyouji Untitled |
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